Showing posts with label Blogger. Show all posts
Showing posts with label Blogger. Show all posts

Thursday, 19 February 2015

It's a long one.

Right.

Push on through and start this.

So we pull up in Paris at about 1 a.m., suddenly all too aware that we have nowhere to stay. I'd been up since five – never wanting my 'room-mate' to be up and getting ready for work while I lay about in bed, using my 'career' as an excuse – and the two drivers had about seven hours of driving in their pockets. Jeb is Jeb, so he was tired, and Seryn was exhausted from the comparative over-stimulation of having left the house.

Do we kip in the van, blanketed-up against the cold streets of Paris, or do we check-in to the first hostel we see? Perhaps we should have planned ahead. We back and forth on this, eating from a pallet that we'd filled with food before leaving the house. Muffins and slices and pasties and out-of-date crisps and the things that we lived on over the course of the trip.

Never more pastry than in these few days.

What do we do?

Jeb can be proactive when seeking slumber, so he was the first to volunteer to run over the square in which we'd parked and speak to our first French person outside of a service station.

It was costly. Twice the price than if we'd booked online. This was the extent of our research.

But we were much as I am now: a passenger in a poltergeist. We had all reached that point where your brain convinces you that fuel is to be found in frowning.

No more of this. No more. None.

Worry about it tomorrow.

Credit card, and lifts that act like a puzzle from The Crystal Maze.

Take the stairs.

We were split across rooms on the fifth floor.

It all looked so fine from outside. All glass and lights and 'modern traveller'.

Into the sweaty, humid black. Bunks were assigned but already filled by others, so find your own. It was a wild west of foam mattresses as thick as DVD cases and what felt like alien fingers crawling across you as you slept. I thought the room was full, but torchlight in my bunk at 4 a.m. told me otherwise. Another intrepid traveller, attempting to take what had been allocated. Sorry, Sir, but when the authorities' backs are turned, we have our own game going on. You'll have to figure out these rules on your own, just as I did.

I eventually got an hour or two of rest after laying awake in the dark for hours, sniggering at my imaginings of how the others were getting along in their respective rooms.

It was a joy, then, after being awoken by the 7 a.m. refitting of the next-door bathroom, to arrive at a riverside breakfast greeted by four other frog-eyed men whose arms were as limp and lame as the stale cereal they were each lumping into their mouths. Jeb chewed on the milk and took a sip of sawdust coffee, before giving me a look.

'This is shit, isn't it.'

Nobody slept as soundly as the spiders that spin around the van.

So we moved in confusion and caffeine, driving around to get the kind of view of these cities we so often get; mainly from the window of a rumbling van. Tin can safari.

We did hop out to get a few selfies out by the Eiffel tower, though. Despite our state, our smell, and our brains slowly calcifying, we were still classified as humans; still strangers to one of the most iconic cities in the world.

It's all a blur, from then until our checking in to the hotel we'd been afforded for this night by the promoter. This was a first. Our first hotel. Riverside. In we go, our chests puffed up with pride.

Name?...breakfast...Check out...rooms...keys...yes, yes, yes. Mmmhmmm.

'...and it's all been paid for.'

This put a particular kind of smile on our faces.

Showers, naps. Games.

Knock on Grandad Jeb's door and run away. He will always open it, and always grumble.

Meanwhile, I'm peering out from behind the vending machines down the way, and giggling, and wondering why no-one else will play with me.

But we're clean and hydrated and heading to the gig, in a cool little place called the Trabendo, just off the beaten track, as part of the Fireworks festival.

Thanks to the crew and staff and promoter, you were all fantastic.

And hello to the awesome Sylvan Esso and Fickle Friends, with whom we had the honour of sharing the stage.

And thanks to all the people who turned up. The room was absolutely fantastic. There was a feeling in the air that I haven't felt in a long time. Out front, and backstage, the party was a constant force to be reckoned with, and everyone was a part of it. Smiles and energy and good feeling and smooth running. No hiccups, just good people and good times and grins and sweat and beer and bourbon.

Those are a few of my favourite things.

And then we pack up and ditch the van and head out, surfing on the buzz that only a great gig in a strange city and no sleep can provide.

We were ably guided by a local friend of a friend – the International Phoria Network runs deep – and after watching the barriers of the metro fall like crumbling mountains beneath our flying feet, we travelled through the wormhole to go...where? We did not know.

'Do you have any idea where we are?' Jeb asked.

'Nope!' I said, with a grin on my face.

Suddenly a bar, and I'm hanging off the end of it like a villain at the end of some action movie, the city trying to pry my fingers off and make me fall.

There are people inside, and there are people outside. We're talking and proudly letting our Englishness fall out of us like farmyard buckets spilling over with freshly produced, certified organic effluence. We're outside, bragging and joking. We're inside, leading the loud party and the music gets bigger and little pockets that once sat around in stone start ordering more and breaking out in dance, and we claw into the wood, making more beer and getting thicker and letting Paris channel us wherever it wishes.

And then we get a taste of it.

And I'm looking at my phone, trying to GPS it back to the hotel with everyone in tow, and I look up and the world has gone dark. The lights have gone out. I'm only reading shadows. I'm in the street and there is no colour anywhere.

I call the others and there is no answer. But I have the route to the hotel.

I find Jeb, like a lamppost in the wind, swaying on some corner with a little gaggle that had joined us out of the bar.

And I'm getting a call from one of the gang I've lost, my phone beaming at me through the darkness.
They've been locked inside a shop. Their eyes were bigger than their bellies could afford and now we are stuck and they are locked in behind blind black steel shutters and we are broke. We are stony broke, and the manager wants one Euro.

One Euro.

Oh, and before this bit, just as I have found myself in the darkness, I am caught in the centre of the underground workings of the city, for a brief moment, and it is only after the tires scream away behind me that I realise, alone and newly unlit as I was, that it was perhaps only a little joke in French about my personal 'intake' habits that may have gotten me out of more trouble than any steel shutter will give you. Everyone here is spring heeled.

Listen, in GCSE French, children.

But this man was sniffing, as it were, around the shop where my friends are shuttered. What's linked, here?

And a man appears out of the darkness, his bright white eyes gleaming. Also our Parisian guide has come to help, appearing from nowhere. She and the man are now arguing.

I must leave her and find one Euro.

So Jeb is still with his friends on a distant corner and they have something strange going on, and while he leans against the wind he chats to one or two of them who have craning necks and meerkat insincts, and who I know I have seen before; who ignored me on the other side of the road, and now they are surrounding us and circling us like jackals.

And one man speaks to one girl who wants to take us clubbing on the Champs Ellysees, and from what I hear he wants something from her more than the cigarettes that she offers, and in between the laughter and the heads of lager and fizz and pop there is a cats cradle being weaved and my mind takes an ugly turn.

On the other side of the street, they are still arguing. She is strong and that is good, but his eyes are fierce and there are more mopeds than only his, all with their engines running and heads turned uniformly, watching their friend.

And I break in to the conversation behind Jeb that I have been monitoring, because these party animals are smaller and the men who have caught them are not well, and I must have one Euro. My friends are locked in. But he doesn't care. And I have a Rizla raised in my hand that's out in front of me and I am ready because I have interrupted his cold-call sales pitch, so the thin roll of paper is held up like a fool's talisman and rests, powering the hand that protects me with mere drunken innocence and I keep my wits about me and I bag a coin from the girl once she has put the man to rest and he leaves and she returns to some of her friends who have appeared. And Jeb sways and I tell him to come with me, because we have raised more than our fair share of anything for one evening.

And the moped gang takes one measly Euro and slides off to whatever deliveries they may make, while the gang reunites and laughs and courts the last, strange thirty-minutes in confusion and relief and we walk a moment and the light returns to the city and turns everything gold and we smile, and Trewin says we need something to remember what happened and I say don't worry, I'll be writing about it.

So we say goodbye to our guide and our friend and we waltz through the roads, staring down taxis, and I'm wondering where we will go next, and what possible route we will be taken on to get to whatever resting place we might be heading to tonight, because we do not know if it will be wood or stone at our heads. A night rarely lets you go once you've been thrown to the dogs. You have to get out before they put the reigns on you, else you're not getting out at all.

And then I am sure he was an angel.

Patient and kind, to four strange and loud men, in our first night in Paris. He spoke no English, so I did my best, again – sat in the front seat with my phone held out in front of me, showing him the same route that I'd tried to get us on so much earlier in the evening. And he followed it and let me speak in broken French and smiled and nodded. He did know one phrase, actually. So I would speak badly and apologise and he would say 'It's OK. No problem.' It happened enough times that we were laughing about it.

And we got out at the hotel and he was a good man and we tipped him well and we stood outside the hotel and smoked in silliness and brushed into the lobby to say hello to the night staff, with smiles on our faces and brains that had been well thorned by the rose of Paris.

One man can work the bar, but he has no power. The hotel shuts the pumps down and locks the cabinets. I can buy him a drink. No? We still have something left in us, Trewin and I. We sit and drink water and we learn the man's politics and how he is a good man. We mean him well. It is short but he is courteous, and I hope he found us respectful.

How else would we be?

And suddenly we swallow night-time like a pill and it is morning and I don't know how I've slept, but I have. I am in bed. And the mirror shows that I am on television, being filmed on a handi-cam, and the mirror turns sideways and bumps itself on my head.

And we all pour down the lift-shafts and again just throw the breakfast at ourselves.

And we go, swimming through the air with light heads to wherever we parked the van. Ed is well rested. He will drive.

And Paris says goodbye to us and we wonder what the hell just happened.

These cities have their ways. We'll be doing more of them as we go. We'll be back in Germany in May, and we're looking forward to our first gig in Norway at some point later this year. Zurich, too, next month. And Brussels.

And until then we'll be getting the album done, as we have been doing so diligently. We're in a good spot. We're doing well.

Come and see us, if you're about. Check everything out for where we are. It ain't right here.

Because, for now, I am trying to piece this all together.

Thanks, Paris, and all who helped us along the way. We'll be back.

And we'll carry an extra Euro, now that we know.

Just in case.

Because these things can happen.

Over One Euro.

Hope you enjoyed it.

Tim


Sunday, 13 April 2014

It's like you've got one of those dentist's mirrors and you're using it to peek around the corner of our lives like a Hollywood spy.

So we've got an interview today. Cool! Not a bad way to spend a Sunday evening.

It makes you wonder how to be, though. How do we turn up? What do you wear to appear in words? Does it change anything? Who do you appear as? Yourself? Maybe. What if even you find yourself somewhat of a doof? What risks do you run in putting up a front? Especially if you question your own judgement on what makes someone not a doof. Using the word 'doof' marks you as something of an ass on its own. So what do you do?

Are you charming? Who knows? Could you pretend to be? Maybe.

Are you disarmingly humble? No.

Do you risk, in projecting an air of confidence, appearing to think that you're more talented than the person on the other end of the dictaphone thinks you are? Where are we then? Does that air result in your convincing people that there's more to you than first appears, that perhaps your work demands an even more positive appraisal? Or do you come off as some arrogant and clueless little thing, convinced of its own superiority but ignorant of how opinions are formed in other peoples heads?

What if you come across as caring too much about how you're taken by others?

What if you come across as alarmingly insecure, or worse, boring?

No, conversations are too big a risk to take. Expression is too big a risk to take. What I think we should do is just sit indoors and never talk to anyone, ever, about anything at all. Like Kate Bush, but without that nagging history of success.

Maybe it doesn't matter. At all. Maybe it's all OK. Maybe there's no such thing as expressing an opinion or attitude that doesn't potentially alienate a large number of the people you're supposed to be trying to get on your side. Maybe if you try and please everyone you just end up going into politics, claiming that The Big Society is part of some grand spiritual mission rather than an attempt to rip out hard fought for governmental support for people who weren't born into a comfortable network of potential. Are there no workhouses? No? Then they should build their own.

So who cares, eh? These questions rise and fall, and the only answer is to go and do and be and not care about it. Have fun, and ignore the sirens and riots that result outside the pub door as a result of what you just said.

I hope you're well, having your Sunday. I keep saying it, but things are coming. We are working, and we are happy with how it's sounding. Artwork, at the mo. That's where we are. The sounds are there. It's coming. And we just might know when, but, as is usual with self-production, we're taking the time to do it right, lest we alienate anyone; lest we fail to appeal to every living thing and come across as people with ideas.

Tim

This unpopular post written with the aid of self-reflexive irony.

Tuesday, 25 February 2014

I enjoy it, anyway.

We’ll start at the beginning, then, as is the fashion.

Not that there’s much of a middle. Or an end.

Oh good: I can relax.

We hit Bristol last week and we’ve only just recovered. Thanks so much to everyone who came. Start the Bus is a great venue – really friendly and accommodating. It makes a difference when you get a good crew and a good vibe before the gig. The crowd grew in numbers while we were onstage, too, which is always good. Yeah…basically it was good and everyone was friendly and had a good time, is the crux of the matter. A bit of a non-story. This whole ‘starting at the beginning’ thing has fallen at the first hurdle to be honest - although that in itself would imply a linear narrative, which of course this inevitably has as it is, like music or baking a delicious cake, something that you cannot help but experience as something persisting through time, meaning you’ll naturally apply your own sense of narrative to it. If you didn’t recognise that I didn’t start at the beginning at the beginning (which I actually did) then you wouldn’t be able to say ‘He didn’t start at the beginning’ when your friend asks ‘What’s the first thing you notice wrong with this?’ Mileage may vary by tolerance and/or imagination.

But you digress.

It’s been a funny old week. One of those where not that much has changed but you feel like you’ve been up to loads. What that does mean is that you’re filled with the enthusiasm of busy days but with very few meaningful stories to tell if you, like me, were stuffed from a young age with a suspicious modesty and a tendency to slip subtle hidden messages into your blogs. It’s like life: at the end of it all you’re just left with a dull hangover; your brain feeling like a well-wrung dishcloth and your body blalaaaaaaaa

BLALAAAALALAALALaALAALA

aaaaaaaaand your tongue fingers licking at a keyboard with nothing much to say, but a sharp and distinct urge to say it, as usual.

Look, we’re a way in to the week, now, OK?. Oh no, it’s only Tuesday. We’re, like, a day away from the beginning. That was good, wasn’t it? Remember when the week was new and fresh and exciting, just like every Monday? It’s somewhat erotic, isn’t it? That first thrust into the week ahead, teasing Tuesday like a FILTHY WHORE?

It’s not, is it.

Music.

The band.

Enjoy yourself, whatever you’re doing.


Tim

Tuesday, 18 June 2013

Like Hesse without the beads.

The five young men were hurled from the city gates, their flimsy shoes skipping against hard dust..

'We'll resist you!' said the gatekeeper, as he threw the smallest one to the ground.
'We'll resist you!' said the tallest one, lamely.
'That doesn't make any sense.'
'You don't make any sense.'
'Hem. Hem Hem.'

And with that, the large wooden gate of the walled city was closed; the twin living thickets booming against one another like a warning shot.

The five looked at one another.
'What are we doing here?' asked Jeb
'Tim's being clever.' said Ed, 'he can't find it in himself to outright describe how the band is going at the moment, so he's writing a kind of story to explain what's going on. He's being silly and slowly disappearing, rather than just doing something that he won't enjoy and just boring everyone.'
'Yeah.' said Seryn.

The five stumbled to their feet.
'Thanks for noticing.' said Tim, 'I hate when I have to explain everything.'
'I hate you.' said Jeb.

Ed approached the walls of the city, probing the crooked stone with his fingers.
'What does this represent, then?' he asked.

'That's me!' beamed Seryn, 'Tim's saying that I'm a massive wall. Right, Tim?'
'I'm afraid not,' Tim replied, 'the wall is a barrier. Inside that wall is worldwide success, stardom, and all the Shreddies you can eat.'
'Coco Shreddies?'
'All the Shreddies of the rainbow.'
Trewin choked on the dusty atmosphere.
'But we're out here?'
'Yes, I know - that's the point. We're out here. It's tricky right now, trying to sort Europe dates and stuff, trying to get UK dates - not being able to actually gig at the moment doesn't help when you're trying to book shows. We're trying to get new stuff recorded, we're trying to sort out our merch, and we keep coming up against obstacles! It's not anyone's fault, but we can't pretend we enjoy being thrown out of metaphorical doors by big burly geezers, can we?'
The five nodded, solemnly.
'He looked like Justin Beiber.' said Jeb.

The five took time to look about them - to see that without the walls of success surrounding them they were still free to venture wherever they wished. They stayed put, mainly. Sat around, jamming. There was no life outside the city walls. It was filled with office jobs and standing on street corners holding signs advertising hot dogs this way.

'I need a glass of water.' said Trewin.

'Seek Merlot.' said a great thundering voice from above. The five retook their balance, staring at the sky; shocked.
'Pardon?' screamed Ed.
'I have booked you an appointment with the great Merlot this Wednesday. You should go - he'll sort it right out. Then you can get on with your lives and hopefully get in the walled city of success through the gates you were just kicked out of, which is what put you into the situation you're now in, if you weren't aware.'

'Yeah.' said Seryn, 'Basic causality!' before becoming the same character he was at the start of the story.

And so, under keen instruction, our intrepid idiots set off in search of the great Merlot.

...and who knows where the road will take them? 

To the Doctor's. It'll take them to some specialist Doctor or other. And to a band meeting today, where we're gonna get everything planned and sorted and get this show back on the hot-damn road for real. One subject to be discussed: timetabling of new EP.



Next week: A biography of Prince written by describing a BBC period drama reflected off a midwife's eyeball.



Sunday, 1 April 2012

Better than Tim's

Konnichiwa Everyone.

Finally I've figured out how to use "blogger", I'm sure all of you have been waiting patiently while reading Tim's absolute useless and pointless blogs. No need for that anymore because your favourite Phoria member Seryn is here and I'm going to write about my fascinating life, that's full of excitements and laughs. You HAVE to enjoy this! If now you'd still have to recommend it to all of your pals and gals. In this 1st post, I will be taking you through my favourite food and music that I'm enjoying at the moment.

Before we go into that topic, there are few rules that you need to follow when you are reading my posts.

* No "diss" comments on my posts about my poor grammars or spellings as Japanese is my mother      tongue so just get over it.

*No rasists comments.



Right, so my favourite food at the moment is this 50p noodle. Filled with filthy powder and 20 years old plastic vegetables....... but it tastes bloody good.






My favourite song at the moment is "Norway" by Beach House. Very haunting sound but manage to keep it beautiful. Awsome band! We would love to support you guys! *Wink *Wink    >_<



Sayounara


Sez  xx

Achieve.

All milky and lava-lamp-ish the street-lights reflecting on my big red car bonnet as I curl it round at night all sound and echoing engine...