A perverse crossover of earnestness and crippling 21st Century anxiety.

Five-thirty.

Five-thirty in the morning.

I didn't even want to go to Abbey Road. Who's ever recorded anything there, eh? Eh? Come on. For goodness' sake.

Five-thirty in the god damn morning.

Still, Ed knocked on the door of the Phoria house looking chipper. Sez rolled out in the way that he does, all silky hair and a distinct focus on 'breakfast time'. Trewin, as usual, was full of beans – throwing van keys in the air and what-not as he talks to you.

I slept through the A27, needing a tea.

London traffic. A sea of cars sitting dead in the shitty morning sun. Everyone beeping and sitting perfectly motionless, except for the people adjusting their hair or their make-up. Seryn.

So, traffic – which is what happens when you flood an inlet – and then bundling across the pavement like a wagon in the wild west. In through the out gate. Honestly. And who says rock and roll is dead?

We slither out, excitable but...focussed.

Sign in at reception. Sign in for your session at Abbey Road.

'Yes , Hi. We're here for the session with x at Studio three.'

Mmmm.

And then we're in! Skipping down the halls, as you do, into the first open door. All dark and wood. All deep red rug and dead headspace. The peace of the treated walls hits you in the chest. A meet and greet, suddenly. The students we'd be working with. This was all set up by Berkeley, Boston. It's their session, but they pretend it's ours.

Handshakes. 'Hello.'

They're all clean. I slept in Jeb's bed (his presence in all but scent is regrettably ommitted from this story), and am who I am, so you can imagine how I felt. I'd just been in the back of a stinking van after a four-thirty start, so how do you think I was? Why did I suddenly have to face fifteen or so grinning Americans?

No, no. I kid, of course. 

Really.

 

So setting up guitars, then. Setting up guitars in Studio 3 of Abbey Road studios. No big deal, really. It's not like I've wanted this exact moment for the entirety of my colourful career so far, noodling around after school playing Guns n' Roses covers, all the while dreaming of doing exactly this, here, right now, strumming my freshly-strung telecaster in the same place any teenage hero I dare mention had strummed their own, so to speak.

So I played a little Pink Floyd. And the whole band, having set up, segued into a kind of chilled out funk jam for a couple of minutes. Ed was on a real Rhodes.

Man.

Time to work.

CRICKETS!

The fire alarms in the building, it turns out, we're being picked up by our guitars, and were forcing the sound of chirruping crickets down the microphones.

Numerous solutions were saught.

Trewin ended up sitting like a Yogi, trying to angle his guitar away from anything,to stop the buzz.

Still, we've just started recording, so sshhhhh. Quiet in the studio.

Cameras. Cameras everywhere. Everyone's documenting everything.

I found out later that there had been two ambient mikes placed in the studio, so as to record the goings on during the session. I'm a nice man (don't look at me like that) and don't often say things that I mean out of turn, but...now the paranoia strikes. What if I made a bad joke? What if I was having some fun just being a little bitch? I'm sure I didn't say anything. Oooh. I know I screamed. A lot. But then, that's just what I do.

40 odd takes of two halves of a song, in the end. Jesus, lads. Get your acts together. They don't call me Three-minute Douglas for nothing, you know.

Everyone's in and out – not knowing where to go or where they should be, but focussed. Always moving with purpose, despite not knowing how best to fulfil it.

Lay down the bass, Tim.

Synth was easy enough. Bass guitar was not. My hand had become a lump of lead. I played my balls off and, on holding the last note of the last take, screamed over a sustained note as I held back my left pinky, which was cramping its way towards the fretboard, ready to ruin my good time.

I showed it, though. I told it who was boss.

An original Hammond through a Leslie speaker. Our balls were literally exploding into dust at the sounds and the toys and the atmosphere and the people. Ed could have been skipping through a field of marigolds. Trewin had his eyes on everything.

It's a fucking magical place, I tell you.

FREE LUNCH AND DINNER.

Say. No. Mawah.

Back to Connie's. She's a violin player, playing in the quartet (made a quintet by the appearance of her fabulous bass player friend), for a quick beer and, good lord, sleep.

Do we sleep?

Do we?

God, we peeled ourselves off the floor that next morning.

I had to look at the financial district of London through caffeine-free and sleepless eyes. I had to watch the wankers in the back of their cars, skimming a little bit off everything, causing all the problems that we are told they are the answer to. It was one hell of an energising hour.

And I had the day off, on day two! I'd played my three god-damn instruments. It was the turn of the string-quairntet, and a bit of piano, and Trewin's vocals. One of the most magical moments was when Trewin, attempting the vocal track, very quietly asked for the lights to be turned off, and in the control room we were left in complete darkness but for the panoramic glow of the mixing desk. I just stared and listened, one of which things is something that I have never done before, ever.

And...I mean...it just happened. I spent the rest of the time at the back, getting drawn unnecessarily into an offensive joke swap. I swear, mum – I don't know any. We just...hung out and chatted with these fascinating and wonderfully friendly American students and, clearly, very kind, humble, and inspiring staff.

Their professionalism out-marked mine by a-thousand-to-one.

But I played Pink Floyd in Studio 3 at Abbey Road, which they didn't.

Then, Connie's. Or maybe not?

'I could go home.' (Not my words.)

Ah, a car park debate.

'If we ever come against an option where we choose whether to be men, or mice,' said Trewin, 'can we choose to be men?'

Agreed.

Back to Connie's. Again. More beer, this time.

More getting a knock from a frustrated neighbour because we were waking little children across the complex.

More dancing to tunes we didn't know., in our alcohol soaked pyjamas.

After all, we'd just been to Abbey Road, and we didn't have to wake up at three-thirty the next day.

I'm still getting over it.

We're on tour, next. Let's see how it goes.

Have fun, whatever you choose to play in Studio 3 of Abbey Road Studios.

I know I played fucking Pink Floyd.

Did you?

No.

Tim

8:14, if you use the twelve hour format.

Goodbye then, 2013.

You were the year of Bloodworks, of Red, of Croatia, of Heaven, and that misunderstanding behind the bike shed.

You were a year of joy, of happiness, of getting no sleep thanks to the Auto-bahn, of swimming in Lake Bled, of that My Bloody Valentine gig.

You were a year of pain, of frustration, of nearly-theres, of not-quite-rights, of bumbling bundles and of misplaced bass notes that ruined the whole song but that’s OK nobody noticed oh no hang on they’re all looking at me just look at the keyboard and pretend you didn’t do anything wrong oh shit what note are we on oh god I think it’s an F# but if I’m wrong it’ll sound so much worse than it already is 1 2 3 4 1 2 3 4 OK it’s the chorus coming up just relax get back and retrack the phatness yes there we are.

Oh shit no that’s not it where the hell are we oh yeah we don’t play the studio version when we do it live that’s ok just dance like you’re really into it don’t go red don’t go red have a drink ok move your arms and stuff move your neck in a really jerky way that’s cool.

Oh good the gig’s over who was in the crowd? Oh shit oh well they probably didn’t notice because I covered so well oh no hang on I’m still in my house I didn’t leave the house well OK let’s play video games then.

Oh no I just woke up in the hospital apparently the crowd came up onto the stage and knocked me out for wrecking the gig that’s OK we didn’t get an offer from the record people but the WWE want me so at least I’ll be richer than these other fuckers who can’t even make it sound good when their bassist is playing all the wrong notes and knob out all over that shop.

Oh no they’ll probably read this now what have I said I must learn some self control .

We can’t wait for this year. Everyone’s feeling it. I don’t know if this is just a feeling that everyone gets at this time of year, and I’m just applying it to our situation, but still...I can feel it.

Hopefully you can, too.

I saw in the new year with some good friends, in the rain, all of whom were wilfully helping a complete stranger who had passed out in the street and was throwing up copiously on himself. Honestly, I preferred it to spending that moment in the company of sweaty-armed strangers, my beautiful face pressed against their pits, and getting the funny eye from that guy hanging around the bar, playing with his belt buckle.

But then, I have an odd sense of humour/the good life.

I’m tired.

More EP news, soon enough.

Have a good one. Get back  to it, and all that.

Tim

'All these...moments...will be lost in time, like the smell of your shoes when you use our new product!' [Quote from 'Glade Runner'.]

            Whatever I say here, it’s the bread in my head talking.

            Right, so, what’s been going on?

            Saturday night we only went and bloody well recorded with a bloody string quartet didn’t we? Eh? Only went and strummed and pickled along with some proper bloody musicians, eh? Ed got to accompany one of the violinists ‘practicing’ some Vivaldi during one of the breaks, as you do, which pleased him so much I thought he had a banana lodged in his gob.

            We did it all in the recording studios at The University of Surrey, with the very able and amicable Oscar (Oskar? Oska? Glen?) Somethingorother who also very kindly put us up at his house after our 3am finish. The evening ended with us blearily watching the pale blue glow of sunrise appear behind net curtains while drinking some remarkably dodgy sherry. Thom-of-the-Novi was also in residence, filming all and making every mistake watchable a thousand times over. We’ve handed the footage over to Edward Snowden for safe keeping, so it’ll be viewable soon.

            Sunday was something of a write-off, then. We went to the effortlessly sterile PC World in short-notice-search of a big hard drive to take the previous night’s recording from Oscar (Oskar? Oska? Glen?) Somethingorther, and also to back up all of the work currently teetering on the precipice Trewin’s computer. Imagine. It’s all on there. It’s all on there, dangling by a thread of computer failure. One wrong website, Trewin. One wrong website…

            And I, like so many defence contractors, have already seen his search history.

            In the waning words of the world’s worst; Fred Durst: Back up, back it up.

            We also treated ourselves to a Sunday feast in Frankie & Benny’s (despite my fervent protestations) which was like eating some dinner inside an arse. Our waiter was a dude, but the food tasted like someone had read a cookbook backwards. My stomach made noises I’d never heard before, that evening. There’ll be samples of it on the new EP.

The sounds, that is.

Then, just as soon as I’d fallen asleep in the van and then the next thing I know woken up the next day in my own bed, it was time to play The Haunt with the ever wonderful Mt. Wolf.

Here’s an example of their music which both the band and their existing fans will no doubt find an achingly predictable choice, but I’ve already put the work ‘achingly’ in front of ‘predictable’ in order to emphasise it, so I’m pretty much running the risk of post-modernism as the sentence descends into a wry smile of nonsense.

(I tried everything to embed the video on here, but it seems Google are unable to integrate their services properly unless you're a Government, so here is a long hyperlink and explanatory sentence.)
 

This song’s been in my head for a very long time. It bangs the shit out of your bones if you go and watch it live. Go and watch it live, then.

The Haunt gig was good. Thanks for coming down, those who did. Those who didn’t, find Doc Brown, go back, go watch. I’ll thank you as my memory alters.

            Last night was our gig with the same band in Heaven. That’s always fun to say. Another good gig – perhaps our biggest yet! Despite my really rather painful neck problem making me feel like an emotionless statue onstage, I think we all had a really good time.

            Good work, gang. Keep following – all sorts of news and other delights are flowing freely from our rusty pipelines.

            Today, then, is a day of restful delights. I’m currently sipping my second coffee, I’m about to stand in my freezing back garden with an invigorating little cherry ended friend, and then I think I’ll spend the day inside under a blanket trying to complete Half-Life on the PS2.

            Because that’s how bread rolls.

            Have fun, whichever baked good you choose to become.

            Tim

           

'My model railway is just down these stairs.'

            it got more and more delightful

            in between the shimmering screen and the rough rope that bound my wrists somewhere in the hollow dark somewhere in the sound that bounced off concrete archways and drowned the drips of the wet cellar somewhere above the snapping click clack of the four of us dancing in our chairs trying to escape rubbing our shin bones raw somewhere beyond the prancing shadow figure who preyed upon us all in turn blanking out the scrolling screen our only source of light merely looking down on us and smiling somewhere from hell and heaven mixed

            came a voice

            so what do you think of the new ep lol he said

            he ripped the tape from our lips and took some skin

            its great its nearly there we said

            good he said because theres loads of music on it that is nearly there

            yes we know we said not too long now

            not too long now he said and then he gave us some hugs and stroked our hair 

if we get let out we will be at cargo on Oct 4th

           

           

Posture!

It's Saturday. We're filming visuals for the 360 degree show. Time generously donated. See also: cameras, dancers, lights, space. Hot outside. Sunny. Close the curtains. More when complete.
My chocolate bar has melted.
The price of art.